Ghosts in the Desert

gitdPerhaps a portent of things to come was the beautiful Saturday morning, with that most welcome light breeze that allows one to enjoy the sunshine whilst feeling as warm as a new bun.  So, I made my way to The Meeting Place – Quakers Building in Leicester.   This  was  my first adventure to a Poetry book launch, and my first  visit to this fantastic  building.

Emma welcomed us all individually, which must have been difficult as we all stared unconsciously over her shoulder at the colourful spread of home baking.  The launch was well attended, with LWC Members as well as new faces to meet and the newly crowned winner of the East Midlands Book Awards – D.A. Prince

Emma began by explaining the reasons for the book title and the cover design.  Unknown to me at the time ‘Ghosts in the Desert’  isn’t just one theme or even a single poem, but a series  of  poems that consider the  effects of ‘Loss’ and ‘Relationships’.    I did enjoy  this engagement as one begins to see the work and thought that goes into  bringing poetry together in a way that allows it to be called a ‘Collection.

We were treated to some readings from Emma.

The readings have made quite a difference to my understanding of poetry, although, in spite of Emma’s explanations,  I still feel I am like a first day student who doesn’t  even know his way around the building.   I did, however, begin a journey of appreciation in understanding the difference between communicative prose and that heightened aesthetic structure of metaphor that is poetry.

Finally, Emma took questions from the floor and I got to ask about the discipline of when one knows a poem is finished.  It could have been the weather or even the scrumptious cakes, but I felt inspired to frame my question by using a metaphor about baking.

So I asked something like…

‘When baking, the routines and rituals are exact and demand that one follows a series of  actions, culminating with the unambiguous instruction that at a certain point it will be ready  and one must bring the process to an end.’

At this point I felt that all assembled  were, like me, flagging in the rigour of  this long winded question, before I finally  made my point in asking,

‘How does a poet know when the poem is ‘Ready?’

Emma, explained that it is less instructive and more  intuitive and that one instinctively knows; through experience and hard work, that a poem has come to an end when the poet feels it thus.   This suggests to me  that  knowing when to end something on the aesthetic structure is part of the whole process which themes, constructs and ends a poem. It is all about the senses.

On  my way home I considered this  notion and concluded that we trust the poet to  deliver  in the knowledge that  they  use all their senses   to ensure, that  everything  is  utterly controlled, but for us the readers we see  only what is presented as something that is elegantly contained, where all the  — hard work has been elided. A most  engaging afternoon.

Text provided by Peter Devlin

Published by landofbrokenpromises

Author of historical novels set in the British Mandate of Palestine between 1933 and 1948

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